To add emphasis to your fills you can double your kicks up with a cymbal. Low-pass filters are good for bringing the sound and out, but high-pass or band-stop ones are better for general sound shaping. Rapidly triggering the same note with increasing or decreasing velocity also creates a neat effect. If you like the cheese vocals, check out the Go Mental label.
A bit of pitched percussion can spice up your track - try pitchshifting a snare or whole breakbeat up an octave, then fine-tuning the pitch so it works with your track. Show this post i mean i could be here all day recommending Free Pussy Viedos A good rule of thumb when sourcing sounds for a drum roll is to keep the release times down to avoid notes running together. Should you have trouble programming beats that sound fluid, try starting out with a simple two-step pattern ie, kick, rest, snare, rest, rest, kick, snare, rest and then develop it from there. Try varying any available damping settings to sculpt the sound into something a little bit different - changing your reverb's size setting will alter the sound more radically. This sustained note can then be pitchbent in your sampler or gradually effected with plug-ins to create a handy bridge to be used before a drop or break. Adding a filter to your hoover is a handy way to build in a bit of movement.
Variations in note length can add a bit more interest to a sound - turn up your patch's sustain level if this doesn't seem to have any effect. I've a feeling it's unreleased though as I don't recognise it, and i'm pretty sure I've heard most the ones that saw a release. RojParody 9 days ago This post is hidden because you reported it for abuse. If you like the cheese vocals, check out the Go Mental label. A good rule of thumb when sourcing sounds for a drum roll is to keep the release times down to avoid notes running together.
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Using different velocity levels can add a dynamic touch to your kick drum fills, but you may find it plays havoc with extreme compression or gate settings. You'll probably want to keep the low-pass filter cutoff value quite low so the bass doesn't clash with the mid of the bassline. LowEntropy 9 days ago This post is hidden because you reported it for abuse. That event was the day after the set above. Ideally, you'll want to add plenty of punch in the Hz area; judicious use of EQ will help you here.
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I'd recommend searching through the Absolute Hardcore compilations on Slammin Vinyl as well. Show this post i mean i could be here all day recommending stuff: Variations in note Happy Hardcore Forum can add a bit more interest to a sound - turn up your patch's sustain level if this doesn't seem to have any effect. Show this post The track at 10 min 30 sec in the mix below is a good example of a happy hardcore track but without the cheesy vocals!
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